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At some point, the new guitar phrase will eventually

At some point, the new guitar phrase will eventually line up with the beat ofthe backing track (remember the value of each note remained the same).0pt;font-family:"Calibri","sans-serif";mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:"Times New Roman";mso-fareast-theme-font:minor-fareast;mso-hansi-font-family:Calibri;mso-hansi-theme-font:minor-latin;}.The longer you repeat an idea, the less ‘novel’ it feels to the listener (evenif it is a really cool idea). You are going to create the feel of ‘three against four’ with yourguitar phrase (as you heard in the video).4pt 0in 5. By repeating your guitar phrase over and over, you aresolidifying the expectation for your listeners that: the pattern itself and the4/4 beat will continue (as you saw in the video).

C.v:* {behavior:url(Exothermic Welding Productsdefault#VML);}o:* {behavior:url(#default#VML);}w:* {behavior:url(#default#VML);}. Play your melodyover this 4/4track with drums now. Start over by creating a new guitar solo phrase. When I say it isESSENTIAL, I mean it - If you do not do this first, you will not get themaximum benefit from the information in the rest of this article. This will absolutely DEMAND their attention!

Step Number Four.

Additionally, do not limit yourself to using this threeagainst four approach only in lead guitar playing scenarios. You can choosebetween any of the following actions:

A. This creates asense of strong musical tension that will be unavoidable to anyone who listensto your guitar solo.MsoNormalTable{mso-style-name:"Table Normal";mso-tstyle-rowband-size:0;mso-tstyle-colband-size:0;mso-style-noshow:yes;mso-style-priority:99;mso-style-qformat:yes;mso-style-parent:"";mso-padding-alt:0in 5.

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Notice: Although playing guitar in this manner willcertainly create unexpected results for your listeners (in a good way), if youplay the same idea over many times it will create new expectations for them.

Step Number Three:It’s time to really surprise the listener by doing something totallyunexpected. The phrase should be a repeating pattern that can beeasily played over and over (starting over every 8 or 16 notes), so it’simportant to use the same note values here.

HINT: By using pedal point phrasing (as demonstrated in thevideo above) you will make the following steps easier to do.There are countless ways to creatively integrate this idea into your music andmany more basic examples than I can get into in a single article. Keep playing the altered guitar phrase in order tomaintain the feel of three against four. Inother words, you must ‘balance’ the process of introducing new ideas and‘developing’ them in order to keep your playing interesting for your audience.

Pay close attention to the fact that the rhythm of the notesremains unchanged (as you noticed in the video).

B. In reality, thereexist tons of great guitarists who play truly inspiring guitar phrases withoutplaying in a very ‘technical’ manner… and you can do this to when you followthe steps in this article. Fact is, this is ‘not’ hard and thereare countless ways to accomplish this in your lead guitar phrasing. He also trainsmusicians to reach their guitar playing goals in his metal guitar lessonsonline.

B. Establish afamiliar pattern to create a ‘musical expectation’ AND 2.

Now that you have learned the unique guitar phrasingapproach discussed in this article, apply it into your guitar solos to unlockendless musical possibilities for your guitar playing!

Get powerful tipsfor playing guitar solos and become a better lead guitarist. Oncethis happens, you will need to decide on what to do next. Follow these steps to write guitarsolos with phrasing that ‘demands’ the attention of your listeners:

Step Number One: Beginby writing a guitar phrase in common time (4/4) that uses one of the followingchoices: a group of eighth notes or a group of sixteenth notes.

To create killer guitar solo ideas that simply ‘can’t beignored’ by your listeners, you will need to do two things: 1.4pt;mso-para-margin-top:0in;mso-para-margin-right:0in;mso-para-margin-bottom:10. Once you # havewatched the full video, come back and I will take you through the steps towriting your own killer guitar solo phrases. This step isimportant because:

A. After making yourselection, play the phrase you created over a backing track. Revert back to your original phrase and play in perfecttime with the backing track. Go to his personal website and read more articles about guitar playing, plus get guitar player tips andfree guitaristresources.

About The Author:

Tom Hess is a successful professional guitar player,composer and the guitarist of the band Rhapsody Of Fire.

Before I continue, it is ESSENTIAL for you watch the videobelow to see the demonstration of this guitar soloing method. A very easy way to accomplish thisfeel is to shorten the phrase you came up with so that it can fit into a meterthat uses three beats per measure while you keep playing over the backing trackthat uses FOUR beats per measure. It helps make the next step even more surprising andpowerful.

Step Number Two: Playthe short guitar phrase you created over the 4/4track with drums and


I'll give you an example from my life

I'll give you an example from my life. My son was born when I wastwenty-six. I made the decision to stay home with him the first two years.But, I knew I needed brain stimulation and interaction with an adult world,so I decided to pursue my interest in writing. I wrote my first article,sent it to a magazine and waited. Every day I anxiously checked the mail todiscover if today would launch my writing career. When the manuscript wasfinally returned with a regrets note, my aspirations of being a writerended. I figured an editor knew better than I did what I could do. I'd Copper clad Steel Stranded wire beenwaiting for my career lightning to strike.

Twenty something years later, I know success has little to do with lightningstrikes. So, when I left the corporate world to live and work from themountains of Montana, I took with me that same dream of being a writer. Forsix months I studied writers and writing, read books, attended seminars andlearned the business of writing.

I wanted to be a columnist so I developed a strategy to become one byvolunteering to write a life reflections column for a regional magazine.When they agreed, my writing career was launched while I learned thediscipline of column writing and fine-tuned my new craft. Today that column,"In the Scheme of Things," is self-syndicated in several states and Canada,and a second column, "Winning at Working," (the one you're reading) waslaunched a year later. It now reaches hundreds of thousands of web-basedreaders and is the foundation for my first book.

So what's the difference in today's writing success? Luck? Yes, but it'sself-created luck. Better writing? Sure, I'm a better writer today than Iwas in my twenties. But, that's not it. It's discipline and determination.There are days when I'm not in the mood to write, but writers write, and Iwrite. There are days when xafsing my column to another publication orgetting one more rejection seems overwhelming. Those days I take a deepbreath before giving myself a kick and moving on.

People who are winning at working have discipline and determination. Theydemand more of themselves. They push themselves to do the project whenthey're not in the mood, make the phone call, brush off the rejection, orlearn the skill they're missing. They know there are few career lightningstrikes in the world they live in.

(c) 2005 Nan S. Russell. All rights reserved.

Sign up to receive Nan's free biweekly eColumn at Nan Russell has spent over twenty years in management, most recently withQVC as a Vice President. She has held leadership positions in Human ResourceDevelopment, Communication, xxxing and line Management. Nan has a B.A.from Stanford University and M.A. from the University of Michigan. Currentlyworking on her first book, Winning at Working: 10 Lessons Shared, Nan is awriter, columnist, small business owner, and on-line instructor. Visit www.nanrussell.comor contact Nan at

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